Euterpe is the Greek muse of lyric poetry, and while she’s really great and all, she is made of mythic material. Sappho, on the other hand, was a real flesh and blood (well, now, soil and worms) gal who wrote honest-to-goodness lyric poems. Sappho was born around 630 BC, on the Isle of Lesbos. She… Continue reading My Muses: Euterpe and Sappho
My Muses: Clio and Anna Comnena
I’ve already mentioned that my ability to enjoy relaxation is limited. So, in an attempt to dampen the sunny fun of my vacation, I’ve created a small project for myself. For the nine days that I’m on holiday, I will assign a real-life, honest-to-goodness lady to an appropriate Greek Muse. So far, I’ve managed to… Continue reading My Muses: Clio and Anna Comnena
My Muses: Calliope and Bessie Stringfield
I’m sitting in a beach house in Lauderdale by the Sea. It’s my break from school, and I’m having a difficult time slathering sunscreen (SPF 30) and joining my merry holiday party on the beach. Too much relaxation generally scares me, and on this trip I’m terrified. With no papers due or readings to debate,… Continue reading My Muses: Calliope and Bessie Stringfield
Leaving the Cult of Womanhood: Nora’s departure from Patriarchal Convention in Henrik Ibsen’s “A Doll’s House”
The Cult of Domesticity was the invention of late nineteenth-century traditionalists who had become alarmed by the arrival of the “New Woman:” the female who was both financially and intellectually autonomous, and independent from males. As a sort of patriarchal societal backlash, the Cult of Domesticity was employed and the personality of the “True Woman”… Continue reading Leaving the Cult of Womanhood: Nora’s departure from Patriarchal Convention in Henrik Ibsen’s “A Doll’s House”
The Public Enemy: Disenchantment With the American Dream
The Public Enemy was a terrific example of the gangster genre, which emerged in full force during the early 1930s. As the film came out in 1931, and was unhampered by the restrictive measures of the Hollywood Production Code, enforced in 1934, The Public Enemy retains its punchy lines, seedy settings, and bawdy women: grit… Continue reading The Public Enemy: Disenchantment With the American Dream
The Historic Crescendo of Indian Cotton Muslin in the West (1770-1820)
Muslin fabric was the textile of emperors. While the Indian continent historically boasts many different varieties of textiles—from calico to ikat— it was the remarkably translucent, wonderfully white characteristics of cotton muslin that the Indian Mughal court revered. When The British East India Company received a royal charter from Queen Elizabeth I of England, in 1600,… Continue reading The Historic Crescendo of Indian Cotton Muslin in the West (1770-1820)
Les Daoboliques: Synergistic Celluloid
There are a plethora of articles, essays, and books devoted to uncovering the devices which make Henri-Georges Clouzot’s film, Les Diaboliques, the model of suspense-thriller perfection. But, I cannot determine that it is any one thing that makes Clouzot’s masterpiece run like clockwork. Rather, it is the collective result of expertly fused elements that wind the viewer’s mind… Continue reading Les Daoboliques: Synergistic Celluloid
The Portrait of Elizabeth Farren, Painted by Sir Thomas Lawrence (1789)
I just adore this portrait of Elizabeth Farren! As soon as I enter the gallery where she is housed (in the European wing of the Metropolitan Museum of Art), I swoon. I hardly notice any other portraits around me. It’s just Elizabeth Farren and I in that room. I’m infatuated. In love. But what makes… Continue reading The Portrait of Elizabeth Farren, Painted by Sir Thomas Lawrence (1789)
What the Fawkes?
What the Fawkes? November 5th is Guy Fawkes Day— a jolly good holiday for British folk where fireworks are set off & Union Jacks are waved. But why? And who the hell is Guy Fawkes?? If these are questions which have troubled you every time November 5th rolls around, & caused you sleepless nights of… Continue reading What the Fawkes?
Medicine in the Age of Miasma
What does this silhouette say to a modern viewer? Does it remind you of Carnival of Venice masks or the mysterious character from V for Vendetta? Maybe you are reminded of the goggle-donning steampunk, or perhaps it just resembles any vague nightmare—a bird-like monster clad in a broad-brimmed hat. Whatever the association, this particular costume… Continue reading Medicine in the Age of Miasma