My Own Muse: Hot Date With Myself, No. 6, “Lilac Time, Montgomery Place in the Spring”

Being dumped by someone who said that they would love you forever sucks. The occurrence makes you rethink the slippery word “forever,” and also the people who aren’t old fashioned romantics, who relish the idea of growing decrepit and old together. Hey, monogamy isn’t for everyone, but don’t waste my time if you’re not captivated by the notion of being euthanized together on a bed of roses when you’re 88! As an integral part of this “don’t waste my time mentality,” I decided to date myself. Dress like a babe, go to all of my favorite places, and just romance the heck out of myself.

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After a few successful dates, I decided to enjoy the breathy bough of spring in the lilac perfumed gardens of Montgomery Place, Red Hook, NY (sorry if this date is slightly out of sequence). By late April or early May, the lilacs at Montgomery Place are in full bloom, infusing the balmy air with the sticky-sweet aroma of bursting lilac clusters. As I walked through the lilac bushes, buzzing with bee activity, I was lulled into a hazy state of utter relaxation. It was an olfactory heaven, accompanied by the tune of one hundred honey bees flapping their gossamer wings.

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At this point, you can tell that I was really swooning for myself amongst the lilac branches. Imagine that scene from Disney’s Bambi, where the cute forest creatures are being walloped over the head with love in the spring– a phenomenon termed “twitterpated.” Yes, indeed, I was twitterpated, all right! In my state of amorous delirium, I walked over to a small garden, nearest to the Montgomery Place mansion–  the mansion was built as a Federal-style home in 1804 by Janet Livingston Montgomery, and transformed into a Classical Revival mansion between the 1849s and 1869s by Alexander Jackson Davis.
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The small sunken garden paths were lined with early blooming bulbs, giant snowdrops, and unfurling ferns, leading me down to the belly of the garden where a tiny pond exists. A layer of green duck weed skims the surface of the pool, obscuring the black water beneath, and acts as a cloak for the dozens of frogs living there.  As I neared the pond, I was amused by the sight and sound of many fleshy frogs hurling their fat little bodies into the water. Well, with all of these handsome amphibians about, perhaps I’ll find prince charing here!

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You’ll be happy to know that I did happen upon a completely alluring frog, who was not only an attractive shade of green, but very friendly. What a hunk!

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Because I was wearing blue velvet covered shoes with a five-inch heel, I figured I should forget about navigating the wooded trails on the Montgomery Place property– one leading to the Hudson River, the other leading to a waterfall. While I do consider my heels athletic-wear, they were no match for the twisted-root riddled trails. That being said, I hopped, skipped and jumped with my pointed toes to a neighboring garden with darling brick paths and a central sun-dial.

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With lilac in the air, and amphibians in my heart, I strolled into the sunset on a perfect hot date with myself. God, if only those frogs could see me now! So, dear readers, if you ever happen to visit Montgomery Place– which is now a part of the Bard College Arboretum– be sure to visit all of the meandering pathways which afford incredible views and garden delights. And don’t forget to say hello to my beloved froggy friends!

 

 

 

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My Muses: Euterpe and Sappho

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Euterpe is the Greek muse of lyric poetry, and while she’s really great and all, she is made of mythic material. Sappho, on the other hand, was a real flesh and blood (well, now, soil and worms) gal who wrote honest to goodness lyric poems. Sappho was born around 630 BC, on the Isle of Lesbos. She was a Greek lyricist, and one of only a handful of female poets known to the ancient world. Supposedly, Solon (Athenian lawmaker and poet) was so moved by her work that he desired to be taught a song by Sappho “so that I may learn it and then die.” Now, Solon is either prone to emotional outbursts, or Sappho was one sweet lyricist.

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Unfortunately, we may never know which of Sappho’s lyrical poems had whipped Solon into a frenzy of drama, because much of her work has been lost through neglect.  Medieval Byzantium dropped her works from their standard curriculum in the process of modernization, and copies of her poems ceased to be reproduced by scribes. As if her work hadn’t suffered enough, in an act of textual terror, copies of her poetry had been destroyed in the burning of the Library of Alexandria. Gasp!  

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Here’s a lovely adaptation of a poem by Sappho, as translated by Dante Gabriel Rossetti:

One Girl
 I 
Like the sweet apple which reddens upon the topmost bough, 
Atop on the topmost twig, — which the pluckers forgot, somehow, — 
Forget it not, nay; but got it not, for none could get it till now. 
    II 
Like the wild hyacinth flower which on the hills is found, 
Which the passing feet of the shepherds for ever tear and wound, 
Until the purple blossom is trodden in the ground.

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In modern times, Sappho is known less for her written work, and more for her image as a symbol of female homosexuality. Her romantic poetry, involving female subjects, has made her the darling of lesbian circles. The English words “sapphic” and “lesbian” both refer to Sappho, thus, preserving her in writing, after all. Her ability to morph herself centuries after her death into words which exist in the English language is almost as astounding as her poetry. Truly, Sappho is one inspiring babe, and she has been operating as a muse for many a year.

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